I think this was the most expensive British musical ever, or something like that, and was a total flop on release. Well, I think it is time it got the digging it deserves. It is so highly stylised that anyone who doesn't fully surrender themselves to its logic will not enjoy it. Once you enter into the spirit of its studio-bound Soho, however, it is top entertainment. The music, despite the involvement of Gil Evans, is a bit trying, to put it mildly. But surely this is better than an attempt at "authenticity", especially when the plot deals so explicitly with falsehood and prioritising practicality over idealism. That is does this with the help of Slim Gaillard is surely a one-off worth celebrating. Sade is surprisingly good, both visually and vocally. The protagonist, Colin, mouthing along to Paul Weller is quite a jolt. The choreography is competent (to my ignorant eyes) and there are echoes of Fellini (explicit at one point), Ken Russell's Tommy film and Cliff vehicle The Young Ones. It is surprising to me that the likes of Patsy Kensit and Eddie Tenpole are not bigger stars than they are. Presumably Ray Davies's career was pretty slow at the time it was filmed, and his turn as a henpecked husband is gloriously understated. Surely this film would find more of a welcome in a world where the Pirates of the Carribean series is such a big earner. And where else are you going to find a film featuring a fight between rival groups shouting their allegiance to either "Mods!" or "Trads!" respectively. Not to mention the equally hens' teeth occurrence of the insult "chocolate drop" used in anger.
Four stars out of five.
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2 comments:
it is quite possibly the best worst film ever made.
Call me shallow but I was irrevocably put off by the awful David Bowie single which accompanied the film. Someone yelping "I absolutely love you" does not a good song make. I recall also that at the time I hated Pasty Kensit, mainly because she was the same age as me (twisted, I know).
Accordingly, I never saw the film, but I do nominate the song as the worst Bowie song ever, in the hope that someone will argue with me about it.
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